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Friday, August 29, 2014 |  Madison, WI: 75.0° F  Mostly Cloudy
The Daily

MUSIC

The revolution comes to an end for Madison post-hardcore band the United Sons of Toil

With the United Sons of Toil, I got off on the wrong foot, or at least the wrong question. As I got ready to write about the Madison post-hardcore trio's 2007 debut album, Hope Is Not a Strategy, I e-mailed guitarist-vocalist Russell Hall to ask, "Is this a gimmick?" I wasn't referring to the music. >More
 Big Gigantic build youthful electronic tunes on the fly

The electronic dance duo Big Gigantic have sandwiched a Madison gig between stops on a two-month tour. The night before, they're in Tulsa, and the night after, they're in Columbia, Mo. Hauling their usual stage rig across the Midwest and back in two days' time is impossible, so the duo are flying light to Wisconsin and devising their stage production on the fly. >More
 The Fountain restores State Street's status as a concert destination

If you stay in Madison long enough, you get to see the musical cycles come and go. Inevitably, you'll come to recognize that just when people are talking about how the scene isn't what it used to be, it's just about to take off again. Case in point: The Fountain, State Street's new music venue. >More
 Wisconsin Baroque Ensemble honors French and Italian composers at 2012-13 season opener

For the first concert of its 2012-13 season, the Wisconsin Baroque Ensemble presented a program of works by Italian and French composers Saturday evening at at the Gates of Heaven. Each half of the program included works for vocal trio that framed a large piece for low stringed instrument. >More
 Saxophone phenom Tia Fuller lights up the Sett with ebullient improvised jazz

Though she's best known for being Beyoncé's saxophonist, Tia Fuller returned to her roots for an evening of straight-ahead, marvelously improvised jazz Friday at the UW Union South Sett. I caught the first of the evening's two Isthmus Jazz Series concerts, which proved why this 36-year-old musician is a rising star in the jazz world. >More
 With Madison Symphony Orchestra, violin virtuoso James Ehnes makes an eloquent case for Bartók

It was "The Three B's" for the Madison Symphony Orchestra at Friday night's concert at Overture Hall. Well, it wasn't all three "b's" one might expect. But the orchestra reminded the audience how many other significant "b's" there are beyond Beethoven and Bach. >More
 Rhett Miller talks about milestones on the 15th anniversary of the Old 97s' Too Far to Care

Alt-country charmer Rhett Miller will spend the next couple months playing the opening set for his own band, Old 97's. Miller will kick-start an Oct. 17 concert at Overture Center's Capitol Theater with tunes from his new solo album, The Dreamer. After that, Old 97's will play two sets, one of which will be devoted to playing 1997's Too Far to Care from start to finish. I caught up with Miller on the phone at his upstate New York home, where he had spent the morning creating bookmarks with his 6-year-old daughter and 8-year-old son. >More
 Mayor Soglin lavishes money on music in Madison

It appears that Mayor Paul Soglin has been vaccinated with a turntable needle. He's dedicated approximately $100,000 to music development in his proposed city budget for 2013. He's also cut $1 million of Overture Center's city funding, leaving the performing-arts organization with $850,000 for the upcoming year unless the Common Council restores funds. >More
 B-Side Records celebrates 30 years of selling 'music that lasts'

The world has changed a great deal since 1982, the year B-Side Records set up shop on State Street. A few days before the store opened, Billy Joel's 52nd Street became the first album to be released on compact disc. A few weeks afterward, Michael Jackson's Thriller hit the airwaves, becoming the country's best-selling album of all time. >More
 Gossip turn down the synths and crank up the guitars at the Majestic Theatre

Gossip have received mixed reviews for their latest album, A Joyful Noise, which flirts heavily with Europop and synthpop while dropping much of the rock their fans are used to hearing. But rock was definitely present at last night's concert at the Majestic Theatre, even if the subversively political band's garage-rock past was only accounted for once. >More
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