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Thursday, March 5, 2015 |  Madison, WI: 5.0° F  Fair
The Daily


Michael Caine doesn't rescue outlandish Harry Brown

Michael Caine gets his Charles Bronson on in Harry Brown, a British vigilante drama. Exploitative and crass, the film paints an ugly portrait of youth gone wild and the ineffectuality of the police to curb the menace. >More
 Get Him to the Greek tries to humanize a shallow idiot

I get why the concept of a spinoff movie like Get Him to the Greek seems like a no-brainer -- in theory. If you look at television, there's a history of taking supporting characters from successful comedies and launching them into equally successful starring vehicles. >More
 Ajami portrays the agony of the Israeli-Palestinian conflict

Ajami, Israel's entry for the 2009 Best Foreign Language Film Oscar, lost out to Argentina's The Secret in Their Eyes. But that doesn't mean you should skip over this electrifying and decidedly downbeat slice of life and death in Ajami -- the Jaffa, Israel, neighborhood of the title. >More
 Rooftop Cinema returns for a fifth summer of avant-garde films atop MMoCA

For Hollwood, summer is the time to start showing fluff. But for the Madison Museum of Contemporary Art, it's the time to start showing challenging avant-garde films that few people have ever heard of. The fifth annual Rooftop Cinema series begins on Friday, June 4, on the museum's rooftop sculpture garden. >More
 Sex and the City 2 is out of touch with the times

In an early scene of Sex and the City 2, a singing and dancing Liza Minnelli makes a cameo appearance. I'm sorry to report that her performance seems a lot like HBO's beloved franchise these days: tired and a little out of tune. >More
 Casino Jack and the United States of Money takes on notorious lobbyist

Two hours with Casino Jack and the United States of Money, a takedown of überlobbyist Jack Abramoff, won't reassure anyone of the nobleness of spirit of Washington, D.C.'s major players. Documentarian Alex Gibney (Enron: The Smartest Guys in the Room) is a showman and a bit of a sensationalist, a 21st-century muckraker laying waste to society's rotten apples, who all too commonly also happen to be the ruling class. >More
 Police, Adjective debates 'law' and 'conscience'

It's rare that a film screens in Madison multiple times before it begins a theatrical run here. In recent months the Romanian film Police, Adjective was presented at the Wisconsin Film Festival and the Romanian Film Festival, and it also showed up in a Memorial Union screening. I mention this by way of saying that there's been a lot of buzz about this film, and about the thriving Romanian film scene that produced it. >More
 The Secret in Their Eyes: The bad old days

Like Police, Adjective, the Argentinean film The Secret in Their Eyes is set in a country still sorting out its repressive past. But unlike the Romanian film, The Secret in Their Eyes, which won the Best Foreign Film Oscar, depicts the repression. >More
 The Good Heart: Eternal mysteries

The Good Heart is one of those quirky indie quasi-comedies in which characters behave inexplicably, and shame on me for wondering why. >More
 Russell Crowe's Robin Hood lacks conviction

At times Robin Hood feels like a training film for the Tea Party movement. There is much talk of tyranny and liberty. "We'll only serve a law we had a hand in making," complains an English baron at an angry outdoor meeting that features much shouting and bitterness. >More
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