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Saturday, October 25, 2014 |  Madison, WI: 50.0° F  Fair
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Casino Jack and the United States of Money takes on notorious lobbyist
Target: Abramoff
The entire system is corrupt.
The entire system is corrupt.

Two hours with Casino Jack and the United States of Money, a takedown of überlobbyist Jack Abramoff, won't reassure anyone of the nobleness of spirit of Washington, D.C.'s major players. Documentarian Alex Gibney (Enron: The Smartest Guys in the Room) is a showman and a bit of a sensationalist, a 21st-century muckraker laying waste to society's rotten apples, who all too commonly also happen to be the ruling class.

And his latest target, Abramoff, certainly ran the show, ascending from the ranks of the College Republican National Committee to become a top K Street lobbyist who went on golfing trips with then-House Majority Leader Tom DeLay, orchestrated a White House meet-and-greet for the Malaysian prime minister (for a pretty profit), and bled Native American communities dry by working to close Indian casinos, then reaping millions as a lobbyist for tribes desperate to get their casinos reopened. And that's only the tip of the iceberg.

Gibney, an Oscar winner for his 2007 film Taxi to the Dark Side, landed some very big interviews - both the disgraced DeLay and convicted Congressman Bob Ney sat for the camera - but he never nabbed Abramoff. Despite being the center of an exhaustively researched film, the subject still seems essentially unknowable, and Gibney robs us of any triumphant feeling by rushing through Abramoff's eventual downfall. Instead, he shifts focus to Wall Street's pushes for deregulation - the point being, of course, that the entire system is corrupt (hence the second part of the title).

Gibney ballasts this deeply dispiriting exposé with film clips (Mr. Smith Goes to Washington gets heavy play) and sparky music choices. But even when it demonstrates a sense of humor, there's an assaultive feel to the film, as when an interview is overlaid with the anthem "Children of the Revolution," which is itself overlaid with the Indiana Jones theme song. Tonally, it all makes sense, but there's such a thing as overmuchness. Gibney laudably launches a withering attack here on the pay-to-play relationship between lobbyists and lawmakers. But this viewer felt withered, too, by the end of his battering ram of a movie.

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