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Thursday, September 2, 2010 |  Madison, WI: 77.0° F  
Movies

THE PAPER / MOVIES

REVIEWS

With its fine cast, Get Low is strange perfection
Funeral for the living

You need only see Get Low for absolute proof that there remain at least three reasons -- Robert Duvall, Sissy Spacek and Bill Murray -- to switch off your home theater and get out into a real one. Set in Depression-era backwoods Tennessee, Get Low begins and ends with a crotchety, shotgun-wielding misanthrope by the name of Felix Bush, who has erected a "No Damn Trespassers" sign on the edge of his forest-shrouded property. >More Restrepo documents grueling warfare in Afghanistan
The most dangerous place on earth

Restrepo is an example of photojournalism at its finest. The film chronicles the grueling 15-month deployment in Afghanistan of about a dozen U.S. soldiers of the Second Platoon, Battle Company, 173rd Airborne Brigade. >More

REVIEWS

Jennifer Aniston is a genre unto herself in The Switch
Aniston as Aniston

Hollywood's biological clock must be ticking something fierce. The Switch is the third artificial-insemination romantic comedy of the summer thus far, after The Back-up Plan and The Kids are All Right. Based on a short story by Pulitzer Prize-winner Jeffrey Eugenides, The Switch is amiable fluff that takes its time learning how to walk, talk and act like the kid-centric romantic comedy that it is. >More Eat Pray Love mimics its heroine's identity crisis
Who am I?

When the script for Eat Pray Love landed in Richard Jenkins' inbox, one can imagine he must have twinkled at the pages-long monologue his character delivers in the film's midsection. >More

REVIEWS


Will Ferrell is back in his comfort zone with The Other Guys
Return of the big boob

Reeling himself back in from the career crash-zone territory of Land of the Lost, Will Ferrell returns to more familiar stomping grounds with The Other Guys, his fourth comedy pairing with director Adam McKay (Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby and Step Brothers). Again, Ferrell plays a big boob, although his Det. Allen Gamble in The Other Guys is not as clueless or as extreme a doofus as his characters in these previous movies. >More The Kids Are All Right tells a too-familiar story about gay marriage
Two mommies

"You're an interloper," says Nic (Annette Bening) to Paul (Mark Ruffalo), the recently discovered sperm donor for the two teenage children she shares with her partner Jules (Julianne Moore) in The Kids Are All Right. It's an interesting choice of words -- "interloper" -- but a surprising one coming from filmmaker Lisa Cholodenko. In fact, she's inordinately fond of the concept. >More

DVD


Wilmington on DVD: Clash of the Titans, The Secret of the Grain, Yasujiro Ozu, The Art of the Steal, Repo Men, Fanboys

The Kraken, Medusa, Pegasus and the lobster monsters are smashing successes in director Louis Leterrier's lavish remake of Clash of the Titans -- the 1981 Ray Harryhausen mythological epic. But the people and the gods could use a little more work. That's a typical story for a big-studio fantasy blockbuster: great CGI, great effects and action, but obvious characters spouting, in this case, predictable mytho-gibberish. >More Wilmington on DVD: Vincere, The Red Shoes, Black Narcissus, Ride with the Devil, Elvis, Cop Out, The Losers, The Runaways

Marco Bellocchio's Vincere is grandly ambitious and often stunningly beautiful: a lushly visualized and brilliantly stylish operatic bio-drama about an edgy, difficult subject: the unlikely tragedy of Benito Mussolini‘s spurned lover/maybe wife Ida Dalzer, his neglected, rejected son, Benito Albino Mussolini, and the brutal Il Duce‘s barbarous neglect and mistreatment of them both. >More

THE DAILY / MOVIES

UW Cinematheque screens Kurosawa, Errol Morris, and more in fall 2010 program

The fall 2010 schedule at UW Cinematheque is full of hooks. 2010 is the 100th anniversary of Akira Kurosawa's birth, so what better occasion for a series? >More Wilmington on DVD: Me & Orson Welles, Ludwig: Requiem for a Virgin King, Pandora and the Flying Dutchman, Harry Brown, Marmaduke

In Me and Orson Welles, Richard Linklater takes on a highly ambitious subject that really, really appeals to me -- a portrayal of the astonishing youthful theatrical triumphs of the 22-year-old Welles, his adroit and urbane (and long-suffering) producer John Houseman, and of their ingenious, experimental 1937 Mercury Theater production of Shakespeare's Julius Caesar. >More Wilmington on DVD: Ajami, Black Orpheus, Hamlet, The Back-up Plan, The Square

Ajami, Israel's nominee for the 2009 foreign-language film Oscar is an engrossing realistic thriller with convincing characters and a real background: the mixed Jewish, Arab-Muslim and Arab-Christian communities of Ajami, a neighborhood of Jaffa, near Tel Aviv. >More Wilmington on DVD: The City of Your Final Destination, Chicago, Sacha Guitry

In The City of Your Final Destination -- maybe the last of the lovably old-fashioned, classically constructed, deeply literate and beautifully wrought Merchant Ivory films, in the string that began back in 1963 with The Householder -- we are in Uruguay, in a very-lived-in and sunnily attractive hacienda, a place called Ocho Rios. >More Wilmington on DVD: Date Night, James and the Giant Peach, Kim Novak, The Joneses

Steve Carell and Tina Fey make a great movie comedy couple in Date Night -- even though they're handicapped by the movie's often trivial formula script. Playing a nice suburban hubby-and-wife accidentally set loose in a wild and crazy urban underworld, they’re loose and sharp and totally in command. >More Wilmington on DVD: Sweetgrass, A Prophet, The Ghost Writer, Buster Keaton, Kick-Ass

In Sweetgrass, we see the last summer pasturing of the vast sheep herd that once belonged to the Allested ranch in Big Timber, Montana -- thousands of sheep blanketing the mountain slopes and valleys, ranging freely over the green grass and past the rushing rivers and under the high blue sky, surging like some white snowy river itself, with that entire tumbling, rippling, slowly moving mass of animal life itself cared for and guided by just two lone sheepmen in cowboy hats on horseback, with their alert and tireless sheepdogs loping alongside. >More
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MOVIES

Found Footage Festival screens adorably terrible Computer Beach Party

What's so alluring about bad movies? Village Voice critic J. Hoberman once wrote that "[a bad movie] is a philosopher's stone that converts the incompetent mistakes of naïve dross into modernist gold." >More

WISCONSIN FILM FESTIVAL

Wisconsin Film Festival announces 2010 audience awards, attendance results

The results are in, and they reveal that 2010 was another growth year for the Wisconsin Film Festival, which ended Sunday. Total attendance was 34,539, up from 32,645 in 2009 and 30,028 in 2008. >More Isthmus on the isthmus: Biking the Wisconsin Film Festival with Meg Hamel

Meg travels from film to film by bike during the four-day fest, so Ben mounted his camera on his own bike and took to the streets! >More
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